Sunday, 28 February 2010
Suggestions
And in the voice over can the narrator explain who he thought the suspects were like say "I rememer thinking it could have been the police but i cant rember why"...but the scene where the police beating them up is playing at the same time?
..oooh when he methions people he could say the opposite, like when Lexi seduced him he could be like "yeah a nice proper lady"
But in a serious tone...british dry humor and sarcasim (is that spelt right) to add to the richness of british films! Thats usually what british films do best right...?
Sorry about my wafflin and not making sense, I was coming up with things as I was writing them.
Posted by BIANCA GREEN
Bianca's Weekly Review- 22nd to 26th
We have captured almost everything- just 1 or 2 of the toilet scenes left
We have begun to think about enhanced sound effects in the trailer and listed them
We have someone to do our voice over, and have begun to think about it in more depth
We have refined 30 seconds of our trailer...so far
We refilmed the scenes in the toilet
EBI
We didn't film the money counting scenes
I havent looked at voice overs in trailers yet
It would be better if we did equal amounts of editing- we can edit invividually, in two's or in three's.
Plans for next week:
Group
Refilm slick's phone call as we were unhappy with it
Film the money counting scenes withe the gang leader
Record any possible sounds from the sound list poted earlier this week
Review our current logo and improve it
Create a logo for prime time productions
And one for An AB Film, AB Films, AB Film Company, AB British Institute ABig Film (haha)
.....? we can't have two producion companies can we...?
Individual
Research typography and voice overs in trailers
Saturday, 27 February 2010
Asha's Weekly Review - 22nd to 26th Feb
1. We re-filmed the toilet scenes
2. We captured most of our footage
3. We started editing and are proud with what we have so far
4. We found someone to do our voice-over for us
EBI
1. We need to be able to work independently - if we agree to edit but certain group members don't turn up, it doesn't mean that we cancel and no one edits at all
2. We have to make sure we all do an equal amount of editing and all have a say in what happens
Next Steps
1. We have to re-film Slick answering the phone
2. We still have to film the gang leader counting money
3. We have to think of a Prime Time Productions logo
Posted by ASHA KABADEH
Friday, 26 February 2010
Post-Production Sounds
Footsteps for Roman walking into to the underpass, so it needs to have an echo to it
Lexi laughing with echos Done
Telephone ring Done
Natural outside sound
Water running
Sound of raining, and thunder when the gang leader is on the phone...?
RE-RECORD DIALOGUE
Gangleader saying "dont wory, he'll never know" Done
Slick saying "who are you" the Donovan says "........" again which an echoed feel to it ON MONDAY
Dianne saying "aww don't worry I trust you and this ring proves it"
What do you guys think...?
Posted by BIANCA GREEN
Thursday, 25 February 2010
Editing
Friday, 19 February 2010
Asha's Weekly Review - 15th to 19th Feb
1. We re-filmed the house scenes
EBI
1. We sort-of know what we're doing with the post-production stuff but we could be a bit more prepared
Next Steps
1. I need to do the log sheet for the house scenes
2. We need to start editing
Posted by ASHA KABADEH
Monday, 15 February 2010
Asha's Weekly Review - 8th to 12th Feb
1. We finished filming
2. We captured all of our footage
EBI
1. The lighting in the house scenes wasn't as good as we would have liked
Next Steps
1. Re-film the house scenes
2. Start editing
Posted by ASHA KABADEH
Bianca's Weekly Review- 8th to 12th Feb
We finally finished filming
I finished my trailer analysis
We captured and completed a production log
We got feedback on our footage filmed so far
We decided and finalised a new film title- The Night Has a Thousand Lies
I looked at possible music and title logos
We experimented and decided some effects for our trailer
EBI
We were happy with the shots filmed in the house scenes
Plans for next week
Group:
Re-film shots at the house scene
Research (meaning analyse and create a conventions list) for voice overs AND fonts/ writing styles (Typography) in trailers
Individual:
Even more trailer analysis
Post up storyboard
Posted by BIANCA GREEN
Sunday, 14 February 2010
Friday, 12 February 2010
Possible Title Logo

Posted by BIANCA GREEN
Possible trailer music
And when I was watching SAW III i though the theme tune-Hello Zepp- could work in our montage part of the trailer...the lively part for if we wanted a more serious trailer.
Posted by BIANCA GREEN
Brick Trailer Analysis
I have chosen to look at this trailer because it has many links to our film idea, making it our competitor. Firstly it is a modern film with film noir conventions eg lighting. Secondly, it has the same genre as ours, which is Crime/Detective. Thirdly the characters are of a similar age to our characters, which are teens.
"Brick", released in 2006, is an American film distributed by Focus Features, an art house sector of Universal Pictures. Focus Features' most famous success was Brokeback Mountain.
The very first scene and throughout the trailer uses low key lighting, which is a convention of film noir. This lighting could signify an unknown location which could foreshadow the disappearance of a character. In the mise en scene, the setting is on a dark street which signifies a gritty and dark atmosphere to the film. The setting combined with the lighting creates enigma posing question such as who is there? Why are they at a telephone box? At the same time it also raises expectations for the narrative. The telephone box is a prop that is positioned to the side of the frame. This could also signify the character is hidden, and out of the ways, again signify a lost character.
Another element we would like to use is sound bridging. In this trailer it sets the storyline in motion and creates enigma: they have planned what to do but will they suceed? The genre is film noir and this is shown though the use of conventions. Near the beginning of the trailer there binary opposition of a low angle shot next to a high angle shot. The character in the low angle shot signifies a protagonist and a Proppian hero. The high angle shot of the other character signifies less powerful character. The two shots together are sutured to signify a Proppian hero and helper. Dramatic angles and variations of shots are conventions of film noir used in the trailer.
Though conventions of film noir are used, some are challenged. For example the female character isn’t the usual femme fatale character that is seductive and dominant, instead they have challenged the stereotype and the female character is the Proppian princess, who needs to be rescued. The producer might have decided to challenge this convention because in today’s society, films where female’s stereotypes are reinforced, represent them as the Proppian princess- who needs saving.
Also the teen characters are represented as stereotypical nerd teens through the use of props such as the geeky glasses and the Rubix cube being completed in a fast speed. With this stereotype it helps the audience understand other things such the school setting- the library- in the mise en scene. The library setting also connotes a detective genre of film.
This film would appeal to an explorer psychographic because it combines film noir conventions with modern elements. For example the character that was playing with the Rubix cube also had a black briefcase beside him. The briefcase is a film noir props and it connotes secrecy and detective mystery along with its colour-black. This is out of place with the mise en scene- this is called anachronistic- when an object is out of place or time period. This is useful because we could use it in our trailer to signify the binary opposition of 1940’s meets 21st century.
The trailer would appeal to 16-25 primary audience and therefore a C1, D and E demographic. This is signified though the characters that are of a similar age, and the topics/themes that relate to society and ideologies. For example, the title of the film “Brick” denotes a block of concrete used for building. However it connotes slang for heroine which teens would recognise, understand and possibly identify with.
This trailer has progressive ideologies because it makes the audience aware of dugs, violence, gangs and missing people in society. This might be because of sensationalist stories in the media about teens and these issues. This might have created a moral panic amongst society and this film may have aided in making teenagers aware of it.
It could be suggested that the oppositional reading of the trailer is that teenagers are up to no good, getting involved in gangs and drugs. This could be because ruling classes are representing teens in a negative way, keeping their position low n society. Therefore it could be argued the hegemony ideology exist, though the use of this film and trailer.
In conclusion, this trailer is a very good starting point for exploring ideas for our trailer, because it cleverly challenges and reinforces many conventions, to create a modern film noir, which appeals to a teen audience.
Posted by BIANCA GREEN
Thursday, 11 February 2010
Voice-overs in Film Noir
Voice over’s and flashbacks were persistent stylistic and narrative elements of Film Noir. It carefully clues the spectator to who is speaking, when, and from where, other films use voice-over and flashback temporarily more ambiguously. Often we need to inquire about the motives of narrative voices, how much they know and whether they are telling the truth, when and to whom they are speaking. Film Noir seems to emphasize narrative gaps, and even the possibility of narratives that can deceive. Invisible Storytellers, a study of voice–over narration by Sarah Kozloff, shows that its occurrence in Hollywood films is closely linked to the rise and decline of the Film Noir movement.
Posted by BILAAL MUGHAL
Possible Post-production Effects
Cineon converter
Ghosting
Black and white
Wednesday, 10 February 2010
Footage Feedback- The Night has a Thousand Lies
We got mostly A and B grades for the media language, conventions, creativity, attention to detail and technical proficiency.
Positive feedback on the cinematograpy:
We used very good camera movements such as the panning shot of Lexi on her mobile. We used a range of interesting angles including close ups and medium shots.
Positive feedback on the mise en scene:
Our props were very realistic and we used iconic noir film clothing for character roles which fit in well with the genre.
Positive feedback on the lighting:
Good lighting with effective shadows and a good use of low and high key lighting.
Positive feedback on the sound:
The characters have good dialogue which sounds clear.
Positive feedback on the conventions and audience needs:
We have used the femme fatale character which is a noir film convention. We also have the costumes in which some challenge and reinforce conventions. Chararcters are identifiable with target audience.
Criticism feedback on cinematography:
We could have used a tracking shots. Some of our shots could be better done and more dramatic and exciting. Used more long shots.
Criticism feedback on mise en scene:
Some props such as the mobile looked inappropriate, but more props in genral could have been added. We should be more aware of our surroundings in every shot.
Criticism feedback on lighting:
Some of our lighting should be more contrasted and done better. lighting in shots outside could be better. A range of lighting.
Criticism feedback on sound:
Too much gaps between dialogue, which made it sound artificial. The sound could have been improved by using a microphone.
Criticism feedback on the conventions and audience needs:
We should have more film noir conventions with more action codes. The scenes are a bit slow paced.
Target audience needs:
A montage sequence of actions codes. Better acting. Parallel music and tracking shots. More conventions and slang. More close up to show expressions. More sexy and erotic shots and scenes (voyerism).
Post production suggestions:
Voice overs. Jazzy tracks. Slow motion effects. Black and white edit with after effects editing. A montage sequence.
Posted by BIANCA GREEN
Should we all do our feedback on the comments to say what we plan to take from it and improve?
Tuesday, 9 February 2010
Possible updates in the trailer...
Why don't we make the whole trailer of Roman reminicing on the past?
We could clearly show this by having the thinking shots throughout the whole trailer. And, the voice over could be from the same point in time- the present. This way we could clearly show both our trailer and the "real film" would have a non-linear narrative.
Next Filming
Wednesday 10th Feb
House, After school
Scene 13, 15, 19, 20, 21
Donovan (Bilaal), Dianne (Simran), Gang leader (Hamzah)
Posted by ASHA KABADEH
Monday, 8 February 2010
Bianca's Weekly Review- 1st-5th Feb
We finished the storyboard
We got Monday-Wednesday filming completed
I researched Postmodernism
EBI
We filmed on Thursday and Friday
I completed my trailer analysis
Plans for next week
As a group:
Fiming on Monday and Wednesday
Start editing/ production log
Individual:
TRAILER ANALYSIS!
Posted by BIANCA GREEN
Sunday, 7 February 2010
Filming Timetable Updated Again
Monday 8th Feb
Mr Bush's Office, After school
Scene 6, 7, 18
Donovan (Bilaal), DC Black (Sepehr), PC Digby (Kishan)
Wednesday 10th Feb
House, After school
Scene 13, 15, 19, 20, 21
Donovan (Bilaal), Dianne (Simran), Gang leader (Hamzah)
Posted by ASHA KABADEH
More music posibilities...?
It might work if we decide to mae the film more serious and thriller like....
http://www.youtube.com/watch?v=4KPUkplnjXk
But half way through it sounds very "apocalyptic" if that makes sense...
And this for if we make our trailer more comical...?
I think Mark Ronson songs could work because he uses the big band instruments, but modernises them, and everyone would recongnise the beats...
http://www.youtube.com/watch?v=gPI1qxKLxfg - Oh My God by Lily Allen and Mark Ronson
I tried to look for an instrumental version, but couldn't find one.
http://www.youtube.com/watch?v=-FDfCTP2RGw - You Know I'm No Good by Amy Winehouse and Mark Ronson
Posted by BIANCA GREEN
Saturday, 6 February 2010
Postmodernism
From what I have understood, Post-Modernism is when a text refers to a period in the past that was popular and is easily recognised, as it gained so much attention. Modernism isn’t just the “latest” or “newest”, it also refers to a particular time period from 1870’s to 1950’s.
This links very much to our trailer idea, because we are referring to Film Noirs from the 1940’s.
Post modernism favours the Pluralism ideology that audience consume the text in various different ways, giving the text a range of readings. This means that our trailer should be interpreted in different ways.
For example, the femme fatale character could be represented in different ways. Her dominant personality and power to do as she pleases could be seen as a positive thing, and would be praised in a femenists view. On the other hand, she is seen as promiscuous and a sexual object which represents women in a degrading way.
Posted by BIANCA GREEN
Friday, 5 February 2010
Bilaal's Weekly Review - 1st to 5th Feb
Asha's Weekly Review - 1st to 5th Feb
1. We got our storyboard done
2. We thought of possible titles
3. Bilaal got locked in the toilet
EBI
1. We missed two days of filming so we now have to wait until Tuesday (hopefully) to finish, when we planned on finishing by Friday
2. I'm really tired
Next Steps
1. Get the filming done
2. As a group, all agree on a film title – I like Night Has a Thousand Lies (I thought of it)
3. We still have to do the questionnaire
Posted by ASHA KABADEH
Even more Updated Filming Timetable
House, After school
Scene 13, 15, 19, 20, 21
Donovan (Bilaal), Dianne (Simran), Gang leader (Hamzah)
Tuesday 9th Feb
Mr Bush's Office, After school
Scene 6, 7, 18
Donovan (Bilaal), DC Black (Sepehr), PC Digby (Kishan)
Posted by ASHA KABADEH
Thursday, 4 February 2010
Updated Filming Timetable
Mr Bush's Office, After school
Scene 6, 7, 18
Donovan (Bilaal), DC Black (Sepehr), PC Digby (Kishan)
Monday 8th Feb
House, After school
Scene 13, 15, 19, 20, 21
Donovan (Bilaal), Dianne (Simran), Gang leader (Hamzah)
Posted by ASHA KABADEH
Film Noir
Possible Titles
Possible Titles
We (without Bilaal) were thinking of possible titles for our production. We thought that it might be a good idea to have inter-textual references with a classic film noir, so we looked at some titles that we could adapt and manipulate and even pun-ulate.
These our some possibilities that we came up with:
I Wake Up Screaming – I Wake Up Jailed, I Wake Up Guilty,
Journey into Fear – Journey into Guilt, Journey into Lust
The Woman in the Window – The Woman who looked Sexy, The Woman who looked Lexi
Some Like It Hot – Some like it Rough
To Have and Have Not – To Steal and Steal Not, To Lie and Lie Not, To Cheat and Cheat Not
The Dark Mirror – The Dark Truth
Nobody Lives Forever – Nobody Lies Forever
The Devil Thumbs a Ride – The Devil Hooks a Fish
Ride the Pink Horse – Ride the Lexi Wagon
Night Has a Thousand Eyes – Night Has a Thousand Lies
Beyond the Forest – Beyond the Office
The Killer Is Loose – Lexi is Loose
Touch of Evil – Touch of L
The Postman Always Rings Twice
The Strange Love of Martha Ivers
The Killer That Stalked New York
We didn't get these from inter-textual references, but we like them:
Call me Guilty
They like a bit of Rough
2. Nobody Lives Forever – Nobody Lies Forever
3. Some Like It Hot – Some like it Rough
Posted by ASHA FISH-ADEH and BIANCA BLUEY-GREEN
Tuesday, 2 February 2010
Filming Timetable
Marina, 10am
Scene 16
Donovan (Bilaal), Dianne (Simran)
Monday 1st Feb
Underpass, After school
Scene 2, 4, 22
Donovan (Bilaal), Slick (Amaritpal), Dan (Badar), DC Black (Sepehr), PC Digby (Kishan), Other police (Sanjay, Ranjot, Mohsin)
Tuesday 2nd Feb
Mr Bush's Office, After school
Scene 3, 7, 8, 9, 11, 14
Donovan (Bilaal), Slick (Amaritpal), Dan (Badar), Lexi (Megan)
Wednesday 3rd Feb
Drama studio, P3
Scene 7, 13
Jerome (Raheam)
Somewhere unknown, Lunch
Scene 1
Donovan (Bilaal), Slick (Amaritpal), Dan (Badar)
Street, After school
Scene 12
Slick (Amaritpal), Lexi (Megan)
Thursday 4th Feb
D Block Boys Toilets, 8am
Scene 10
Dan (Badar), Lexi (Megan)
House, After school
Scene 15, 19, 20, 21
Donovan (Bilaal), Dianne (Simran), Gang leader (Hamzah)
Friday 5th Feb
Mr Bush's Office, After school
Scene 6, 7, 13, 18, 19
Donovan (Bilaal), DC Black (Sepehr), PC Digby (Kishan)
Posted by ASHA KABADEH